by Libba Bray
When a plane full of beauty queens headed for the final leg of the Miss Teen Dream beauty pageant crashes on an island in the Atlantic, all but 13 of the contestants perish. All of the stranded girls have their own priorities: Miss New Hampshire wants to figure out how to survive on the island, Miss Texas wants to continue to practice for the competition, Miss Rhode Island needs to find her medication, and Miss New Mexico has to figure out a new hairstyle that will distract from the airline tray stuck in her forehead. Surviving the elements is the first challenge, but the girls will have to learn to love and respect themselves and each other in order to make it through the trials that await them on the island. While the beginning of the story focuses on the skeptical Miss New Hampshire (Adina Greenberg), we get to see each of the contestants’ thoughts and backstories as the book goes on. The story is occasionally interrupted by commercial breaks, and includes product placement footnotes from our sponsor, The Corporation.
I was pleasantly surprised that this book was actually overtly feminist. It’s a satire, so it gets a lot of flak for having characters who are just stereotypes, but Bray turns a lot of the stereotypes on their heads. There are a lot of characters who never get a name beyond Miss [state], but even this gets some tongue-in-cheek attention near the end of the book. For a story with such overt political messages, it is shockingly funny! Even though the characters discuss some complex political issues, the book avoids a didactic after-school special directness by staging these conversations in settings that would be either realistically appropriate for such conversations or hilariously inappropriate for them. Of course a group of beauty pageant contestants would discuss Feminism 101 over campfire. And a backstory about colonialism is totally pillow talk material before oral sex! But, race politics while sinking in quicksand? Well, that’s just awesome. While the book sort of spirals out of logical control in the last quarter, none of the messages are lost in the chaos, and it’s still pretty funny. There are some glaring plot holes, of course, but I was more than willing to suspend my disbelief for what I got in return: a socially responsible survival satire starring a group of kick-ass ladies.
Recommended for mature teens who are comfortable enough with reading non-descriptive sex scenes. Ideal for teens who are interested in social issues, but funny enough to be enjoyed by teens looking for something silly.
by Tamora Pierce
Keladry wants to be a knight. Fortunately, the page program for knights in training has been open to girls for the last ten years. Unfortunately, Kel is the first girl to enroll, and a lot of people want to stand in her way. It’s hard enough to get by with so many boys avoiding her or outright picking on her, but the training master has also put Kel on probation for her first year in order to voice his displeasure at having to admit a girl to the program. Having grown up with the stoic Yamani, Kel has learned to master her emotions and rise above such provocation. She is determined to show them all just what she can do.
Your basic girl power story, with a girl showing that she can excel among male peers. What I enjoyed about this one was that Kel made sure to not just behave like a boy in order to gain acceptance; although she never wears skirts or dresses at home, she wears them to dinners at training school to remind everyone that she is a girl. It’s rare to find a girl character who wants to do things boys do but doesn’t express a distaste for all things feminine, so I was pretty pleased with Kel as a character. As for the storyline, it’s is pretty obvious, and it gets really cheesy when these birds Kel feeds decide to follow her on a mission and help her out. It seems like the whole series will go on without anyone nice dying, which is always a bummer for me but it makes it a lot better for younger kids who just want an inspirational story.
I would definitely recommend this to kids nowadays, even though it seems like something written in the 80s (it was published in 1999). I think it’s pretty standard fare, and I’ve heard Pierce’s other Tortall stories are more original. It would still be enjoyed by a lot of kids who like the other series set in Tortall by Tamora Pierce, The Ranger’s Apprentice series, books with girl characters doing boy things, or castle fiction in general. Some book sites say this is for 12 and up, but it’s super tame so I would shift the age group to 8-12.
by Jane Eagland
Louisa Cosgrove wants to follow in her father’s footsteps. He is a doctor and has always encouraged Louisa to be curious about her world. So curious that she once took it upon herself to surgically remove her doll’s arms and legs to see how she was put together. For a girl growing up in the Victorian era, this is not appropriate behaviour. Her mother wants nothing more than to have Louisa become a proper woman. Apparently someone else is unhappy with Louisa, and the carriage she believes is taking her to a new home has actually been instructed to deliver her to an insane asylum. Once there, the administrators and staff all start referring to her as Lucy Childs. She insists that it has all been a misunderstanding, but her protests are only considered evidence of her madness.
This book was extremely frustrating to read, not because of the first-person present tense narration style, but because everything was so unjust! I thought it was really predictable, but a lot of the things I predicted didn’t actually happen. There’s a bit of a convenient romance that I thought was just a little too neat and a lot too boring, but overall I enjoyed reading it. The story starts with Louisa’s committal and then some chapters look back at events over the years that led to her present state.
A dark, Victorian read, with some lesbian bits, but definitely not just for those looking for a queer story.